Campus
Oconee
Publication date
6-2021
Publisher
University Press of Mississippi
Book or Journal Information
Faulkner and Slavery [edited collection], edited by Jay Watson and James G. Thomas, Jr.
Keywords
enslavement, public health, economy, U.S. South, disease, Charles Chestnut, William Faulkner, race and racism, biopower
Abstract
Stephanie Rountree finds slavery to be inextricable from “the logic of US liberal democracy” both before and after Emancipation. In “A Literary Genealogy of ‘Slavery’s Capitalism’ in Chesnutt and Faulkner,” Rountree introduces the concept of “anteliberalism” to designate a national literary history probing “the triangulation of capitalism, citizenship, and corporeality in post-Emancipation US governance” as it continues to answer to “enslaving logics.” Rountree traces this critique of liberalism from Light in August—where slavery’s biopolitical legacies can be seen not only in the corporeal discipline and racialized (non)citizenship of Joe Christmas but also in the depleted, hookworm-infested bodies of Doane’s Mill, Alabama, upon the departure of the rapacious industrial lumbering operation once situated there—back to Charles Chesnutt’s 1900 story “Lonesome Ben,” whose character-narrator Julius McAdoo witnesses to the ongoing consumption of enslaved bodies into the post-Reconstruction decades and beyond. Chesnutt’s Ben is a runaway slave who subsists by eating clay from a local stream bank, only to discover that the yellowish soil leaves him pale-skinned and unrecognizable to his loved ones and even his master. Lonely and dejected, he pines away at the clay bank until his death, whereupon his decomposing body returns to the soil now eaten, a generation later, by poor whites who replicate his lethargy and sallow complexion—symptoms that happen to mimic precisely those of hookworm. In Rountree’s genealogy, Chesnutt’s characters thus anticipate both the hookworm-afflicted denizens of Doane’s Mill and the young Joe Christmas, whose toothpaste-eating in the dietitian’s closet falls afoul of the biopolitics of respectability advocated by Booker T. Washington and leads immediately to his racial denigration. For Rountree, these stories allegorize how the liberal nation-state actually tightened rather than relaxed its grip on the body-servants of US capitalism in the wake of Emancipation. Like other writers in the anteliberal tradition, Chesnutt and Faulkner offer sobering reminders that slavery’s constitutional abolition has not brought an end to slavery’s capitalism.
Photo of Author
A Literary Genealogy of Slavery's Capitalism in Chestnut and Faulkner
Stephanie Rountree finds slavery to be inextricable from “the logic of US liberal democracy” both before and after Emancipation. In “A Literary Genealogy of ‘Slavery’s Capitalism’ in Chesnutt and Faulkner,” Rountree introduces the concept of “anteliberalism” to designate a national literary history probing “the triangulation of capitalism, citizenship, and corporeality in post-Emancipation US governance” as it continues to answer to “enslaving logics.” Rountree traces this critique of liberalism from Light in August—where slavery’s biopolitical legacies can be seen not only in the corporeal discipline and racialized (non)citizenship of Joe Christmas but also in the depleted, hookworm-infested bodies of Doane’s Mill, Alabama, upon the departure of the rapacious industrial lumbering operation once situated there—back to Charles Chesnutt’s 1900 story “Lonesome Ben,” whose character-narrator Julius McAdoo witnesses to the ongoing consumption of enslaved bodies into the post-Reconstruction decades and beyond. Chesnutt’s Ben is a runaway slave who subsists by eating clay from a local stream bank, only to discover that the yellowish soil leaves him pale-skinned and unrecognizable to his loved ones and even his master. Lonely and dejected, he pines away at the clay bank until his death, whereupon his decomposing body returns to the soil now eaten, a generation later, by poor whites who replicate his lethargy and sallow complexion—symptoms that happen to mimic precisely those of hookworm. In Rountree’s genealogy, Chesnutt’s characters thus anticipate both the hookworm-afflicted denizens of Doane’s Mill and the young Joe Christmas, whose toothpaste-eating in the dietitian’s closet falls afoul of the biopolitics of respectability advocated by Booker T. Washington and leads immediately to his racial denigration. For Rountree, these stories allegorize how the liberal nation-state actually tightened rather than relaxed its grip on the body-servants of US capitalism in the wake of Emancipation. Like other writers in the anteliberal tradition, Chesnutt and Faulkner offer sobering reminders that slavery’s constitutional abolition has not brought an end to slavery’s capitalism.